This is an addendum to my previous post in which I mentioned the idealism of the college students I used to teach. The students were seriously interested in matters like:
-- What is the meaning of life?
-- Is there a God?
-- If there is a God, why are there bad things in the world?
These are questions that philosophers have thought about for millennia. Our earliest ancestors, even before they developed reading and writing, were concerned with these questions. It is a human thing. It was once the purpose of a humanities education to thrash these issues out with our students and to help them to understand the complexities of human existence. The advent of deconstruction did away with the need. Deconstruction informed students that anything that happened before them was evil, that their ancestors were bad people. They had not wisdom to offer. After all, look at how badly they did. They saw nothing good.
Interestingly, the United States is the only country in the world where this idea took hold. Despite the crimes perpetrated by Germany in the 20th century, you will find very few Germans, of the Left or the Right, who hate their country the way that Americans do.
Why this doctrine became prevalent among American academics is perplexing. The generation that spread it was among the best educated in American history. This generation first went to school in the 1950s, where they learned the 3 Rs, how to write a legible hand, and how to sit quietly at their desks. A small number of them went to college in the mid-1960s, just when the universities were encouraging foreign-language education. Many like myself studied a foreign language and even studied abroad. In the early 1970s we entered the professions -- and turned around and began introducing the doctrine of deconstruction into the study of literature.
The literary works that these academics taught were part of what is called the "Western" literary tradition or the "Western canon." Most of the works, however, were by European writers, not (initially anyway) American ones. It was these works in which this generation of scholars had been trained. For instance, my dissertation was on the German writer Goethe (1749-1832). Was it perhaps because of a certain felt inferiority of Americans (vis à vis Europeans) that they began to undermine the Western canon of literature?
Friday, June 19, 2020
Thursday, June 18, 2020
Material spirituality
The title of this post appears to contain a contradiction, but stay with me. Many years ago, while teaching a course in which several 19th-century European novels were on the syllabus, I was struck by the presence in the center of these novels of a nostalgia for something lost, something that could not be named. It also struck me that the nostalgia lay heavily on certain objects and places and that these objects and places took on a resonance that, in itself, is not inherent in objects and places, i.e., in material things. Proust, I suppose, is the 20th-century writer who has most notably portrayed the effects of such resonance.
But objects are unreliable, and they cannot always retain their resonance, and what further struck me was that the nostalgia was not simply about the objects, but concerned a deep human longing to attach value, a longing that is at the center of our being. Unfortunately, the industrialization going on in the 19th century was accompanied by materialist philosophies that asserted that there was no such deep center to our being. The rest is history, as they say.
At the time I thought that a course might be instituted, alongside the traditional courses in literature departments and proposed to call it "The Literature of Spirituality: the 19th Century." I had in mind not only the writings of 19th-century Europeans and Americans, but also non-Western writers whose works portrayed the effects of a society being catapulted into the midst of secular culture and spiritual disorientation. This was back in 1994, when I attended an MLA conference in Toronto and heard a talk by Nathan A. Scott, Jr. It was a sign of the way that certain discourses had been already marginalized by 1994 that, despite five years in a Ph.D. program, I had never heard of Professor Scott. The occasion was the presentation of a kind of lifetime achievement award on behalf of the "Christianity and Literature" section of the MLA, and his talk concerned his own life and introduction to literature.
His intellectual journey began in the 1950s, and it was one of indomitable inner strength and conviction of a black man desirous of learning in the face of the prevailing norms of society in those years. Already in 1994, such a journey was already classified as a sell-out by certain portions of black leadership. The academics followed suit, not because Scott was black, but because the goal on which he had set his sights and which he achieved was, in their eyes, no longer of value. By 1994 humanities professors were infected with the virus of deconstruction. At its core, deconstruction concerns exposing the submerged ideology of power, racism, misogyny, repression, and so on that is hidden below the overt text of a novel. In other words, the past is a bad place, and the values of the past had to be "deconstructed."
When professors stopped talking about Milton’s prose and began pointing out his treatment of his daughters, students got the point immediately. Why would eighteen-year-olds hang around to confirm what they knew only a year or two earlier, anyway: that anyone born before their own birth year doesn’t have a clue? The result, over the last several decades, has been the deterioration of literature departments throughout the U.S. Scholars now talk primarily to themselves.
The above is a long-winded way of approaching the subject of the current "woke culture" among young people today. “Woke” is so apposite, such a culturally apt description of the thinking (!) of kids who have been raised deconstructively. From my own long-ago experience teaching undergraduates, they are not only highly susceptible to overestimating their own worth, but they are also very idealistic. One has only to teach the novels of Hermann Hesse to a class of undergraduates to know this. (Remember Demian? Or Siddhartha?) Novels are the only place where you can get into the mind of another person, but the minds of the young protesters are virginal, without depth, without empathy for differences of point of view, because they were taught to repudiate the kinds of novels that once helped young people to overcome their own vanities or that encouraged them to measure up to the standards of literary heroes.
Scott's publications include Adversity and Grace: Studies in Recent American Literature; The Poetry of Civic Virtue: Eliot, Malraux, Auden; Three American Moralists: Mailer, Bellow, Trilling. And he contributed the foreword to the original 1966 edition of The Gospel According to Peanuts. By the 1990s the spiritual grounding that informed the writings of scholars like Scott had been marginalized. And continue to be so. Young people now channel their idealism into spouting shibboleths, and have become spooky commissars merrily carrying on the work of deconstruction. What could be more deconstructive that toppling historical monuments? After all, they know what kids instinctively know: they are always right.
But objects are unreliable, and they cannot always retain their resonance, and what further struck me was that the nostalgia was not simply about the objects, but concerned a deep human longing to attach value, a longing that is at the center of our being. Unfortunately, the industrialization going on in the 19th century was accompanied by materialist philosophies that asserted that there was no such deep center to our being. The rest is history, as they say.
At the time I thought that a course might be instituted, alongside the traditional courses in literature departments and proposed to call it "The Literature of Spirituality: the 19th Century." I had in mind not only the writings of 19th-century Europeans and Americans, but also non-Western writers whose works portrayed the effects of a society being catapulted into the midst of secular culture and spiritual disorientation. This was back in 1994, when I attended an MLA conference in Toronto and heard a talk by Nathan A. Scott, Jr. It was a sign of the way that certain discourses had been already marginalized by 1994 that, despite five years in a Ph.D. program, I had never heard of Professor Scott. The occasion was the presentation of a kind of lifetime achievement award on behalf of the "Christianity and Literature" section of the MLA, and his talk concerned his own life and introduction to literature.
His intellectual journey began in the 1950s, and it was one of indomitable inner strength and conviction of a black man desirous of learning in the face of the prevailing norms of society in those years. Already in 1994, such a journey was already classified as a sell-out by certain portions of black leadership. The academics followed suit, not because Scott was black, but because the goal on which he had set his sights and which he achieved was, in their eyes, no longer of value. By 1994 humanities professors were infected with the virus of deconstruction. At its core, deconstruction concerns exposing the submerged ideology of power, racism, misogyny, repression, and so on that is hidden below the overt text of a novel. In other words, the past is a bad place, and the values of the past had to be "deconstructed."
When professors stopped talking about Milton’s prose and began pointing out his treatment of his daughters, students got the point immediately. Why would eighteen-year-olds hang around to confirm what they knew only a year or two earlier, anyway: that anyone born before their own birth year doesn’t have a clue? The result, over the last several decades, has been the deterioration of literature departments throughout the U.S. Scholars now talk primarily to themselves.
The above is a long-winded way of approaching the subject of the current "woke culture" among young people today. “Woke” is so apposite, such a culturally apt description of the thinking (!) of kids who have been raised deconstructively. From my own long-ago experience teaching undergraduates, they are not only highly susceptible to overestimating their own worth, but they are also very idealistic. One has only to teach the novels of Hermann Hesse to a class of undergraduates to know this. (Remember Demian? Or Siddhartha?) Novels are the only place where you can get into the mind of another person, but the minds of the young protesters are virginal, without depth, without empathy for differences of point of view, because they were taught to repudiate the kinds of novels that once helped young people to overcome their own vanities or that encouraged them to measure up to the standards of literary heroes.
Scott's publications include Adversity and Grace: Studies in Recent American Literature; The Poetry of Civic Virtue: Eliot, Malraux, Auden; Three American Moralists: Mailer, Bellow, Trilling. And he contributed the foreword to the original 1966 edition of The Gospel According to Peanuts. By the 1990s the spiritual grounding that informed the writings of scholars like Scott had been marginalized. And continue to be so. Young people now channel their idealism into spouting shibboleths, and have become spooky commissars merrily carrying on the work of deconstruction. What could be more deconstructive that toppling historical monuments? After all, they know what kids instinctively know: they are always right.
Friday, June 12, 2020
A Day in the Life
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| At West 86th Street Subway Station |
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| Empty Platform |
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| Chelsea Yard |
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| Time Square |
Herewith some pictures of my day.
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| Times Square Station at Rush Hour |
Sunday, March 15, 2020
Corona virus and Trump Derangement Syndrome
At the beginning of the awareness, in the U.S., in any case, of the pandemic nature of the virus, I suspected that the accounts I read reflected a degree of hysteria. And that, indeed, the accounts might be fueling it. Which is not to deny the serious nature of what we are facing, especially as regards institutional preparedness for dealing with such a widespread health issue.
I don't want to mitigate the alarm (anxiety, apprehension, whatever you want to call it) that concerns us, and I too am affected by the social mood that the virus has generated. My life style seems healthy, but still ... And yet, while taking all precautions that I can, I want to continue to focus on my own work. And, believe me, I have plenty of it. (And it can be done at home!) So, I restrict my reading about the virus. In any case, the available information doesn't offer any certainties, but is endlessly repetitive. I even get emails from my credit card companies retailing the same information about health safety that are forwarded to me from the allergy doctor.
Whatever my intentions about focusing on my work, however, all conversations of late begin and are often totally dominated by the virus. Thus, the title of this post. The obsessive nature of our thoughts about the virus reminds me of TDS. Living on the Upper West Side of New York City and with many connections to "intellectuals" and academics, I have long found that the subject of Trump pops up in discussions that initially have nothing to do with Trump. It can be an academic presentation on an recondite subject like the Books of Hours, and still Trump is mentioned. He is a low-burning (often high-burning) obsession with "liberals," and it is amazing to me how in so many conversations they find a way to insert some reference to him, negative of course. The derangement over Trump felt by liberals resulted in the mass hysteria that went on in Congress last year. I relate this derangement also to climate hysteria and other anxieties felt by what appear to be the "smart" people in America.
Yesterday, I went for a long walk with a friend along the Hudson River -- we have a wonderful greenway extending from Wall Street up to almost the George Washington Bridge. My friend is a real Trump hater, but we generally manage to avoid politics. But perhaps because of the widespread obsession with the virus, she made some comments about what she considered Trump's failures in regarding to dealing with it. I immediately felt the kind of strangling sensation that overcomes me in these situations -- it's like all the air is being sucked from the atmosphere -- but we managed to quell things and, in the end, enjoyed our outing.
In the evening I went to what may be one of my last social outings for a while. My neighbor two buildings down and I have become pretty good friends over the last couple of years, and she invites me to events at her place. Not too long ago, for instance, there was a Super Bowl party. Last night, she fixed dinner ("smothered chicken," so good!), and, along with four others, we played a card game resembling gin rummy. And we played for money, which added a lot of competitiveness to a game that we might have otherwise been nonchalant about it. Our minds were really focused: there was a pot of $120. At some point, however, it was mentioned that Trump had been tested negative for the virus. Two of my fellow card-players expressed disappointment that the test had not been positive. To which I said, "Do you want the president to die?" Both practically jumped from their seats to say "yes!"
I am sure I will not be the first or the last to point out the connection between the kind of hysteria engendered by a pandemic and the other panic that afflicts half of the population. In connection with the latter, I have long avoided reading the news on a regular basis or following any blogs. And thank goodness I don't have a TV. I have thus for the most part been able to maintain "social distance" from politics and continue to focus on my own work. The virus presents a new challenge to the ability to keep one's distance. Still, we must try.
Image source: Leo Green
Tuesday, December 10, 2019
Boomers in retirement
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| That doesn't look like gelato. |
"My husband retired last year, and ... we are going to follow a dream and live in Rome for a year. Art. Music. Gelato! After Rome, my calendar is a blank. Like every other new retiree, I'll have to invent a life for myself. ... So much has changed in the world since the day I launched as a baby financial reporter in 1963. When it comes to what to do with our money, we have tons of options that didn't exist back then. So which should we choose?"
I have nothing against JBQ, but these comments made me again aware of why I hate my own generation so much. There is so much "entitlement" in them. Not that JBQ and many Boomers are not entitled to the rewards of having worked hard in their lives and the choices now before them. And not because I am in agreement with a growing sense among younger Americans that the Boomers are becoming a burden. A piece in the online forum Medium addressed the issue in this way: "What the Hell Are We Going to Do About the Boomers? Nothing has prepared us for the baby boomers' return to infancy." As that title suggests, the article is about the demands that elderly people make not only on the healthcare system but also on their younger family and other relatives.
Boomers, according to the article, grew up with practically free college education (at state universities like the one I attended) and good infrastructure, but have since then hollowed out the benefits they enjoyed, not to forget locking "their own health care money into place -- through state and company pensions and Medicare -- and then slashed it for everyone else."
The author of the piece, one Bernie Bleske, waxes positively when it comes to the contributions the Boomers made to fighting "the sins and demons their parents never fully conquered — racism, sexism, disease, and poverty" — but he is incensed that they would prefer to pass on their inheritance to charities rather "than to their own children or government institutions or into future savings. Fifty-seven percent said each generation should earn their own (damn) money (thank you very much). More than half thought it was more important to invest in children than adults, though heaven forbid that investment applies to schools."
While it is true that infrastructure has gone to hell -- a subject to which Donald Trump has drawn attention -- trillions of dollars that might have gone to infrastructure were instead diverted to transfer payments that have deincentivized standing on your own two feet. This has affected not only what was once known as the underclass; great numbers of Americans have grown up in middle-class homes and are whining babies.
The problem, however, does lie with the Boomer generation. We came of age in the austere 1950s, when options were limited and when we were drilled into habits and attitudes, by parents and teachers alike, that would make us successful. Those of that generation like myself who first went to school in the 1950s learned to read, write, and compute, and absorbed the ability to sit quietly at our desks for long periods, all without Ritalin. These habits were also instilled in us by the surrounding society, which disapproved of failure. Back then we said "broken marriage," not the nonjudgmental "single parent." Back then there was no safety net for the ordinary, garden-variety failures of life, no welfare, not to mention no Parents without Partners, no therapy in which to talk your problems to death. Unless you wished to exist on the fringes of the social order, you were forced to take responsibility for the choices you had made, to do what was called the right thing.
Those habits served us well when we left high school or went to college as the economy took off in the 1960s. We were the first beneficiaries. And the first thing we did was to institutionalize indulgence. In 1973, the Boomers began to preside over a vast spending spree: the Great Society. Year by year, a many-tentacled octopus produced a national attitude and an accompanying bureaucracy of programs and entitlements designed to prevent people from … well, from feeling hurt, from having to face the consequences of bad choices, of failures. Half a century later, unlike in the 1950s, if you make mistakes, you are supposed to turn to the government to bail your out, to allow someone else to pay for your shortcomings. If you become fat, it's not from overindulgence, but from a medical condition. If you can't read beyond third-grade level after eight years in school, you move on to high school anyway. Parents can no longer spank their own children, teachers can't fail them, and everyone agrees that competition is bad for the psyche. And don’t forget the foremost legal victory of my generation, Roe v. Wade. Whatever the effect on the nation’s psyche of this 1973 legal decision, it spawned a huge bureaucratic network, one promoting indulgence, lack of personal responsibility, and a loss of inner starch.
So, by all means, blame the Boomers, but blame them for having turned the U.S. into an "entitlement" society. And then grow up and try to change the direction of things.
Sunday, December 8, 2019
Discrimination, or the lack thereof
Is it "discrimination" to find tattoos repellent, especially on young women? At the gym I go to, I encounter female bodies with tattoos spread over the shoulders and back and even down the legs. My reaction: why do you want to disfigure what is otherwise a beautiful body? -- for some of the young women are very attractive. It is not a question I am going to find an answer to. I did a lot of stupid things in my twenties and even thirties. Thank God that tattoos were not "popular." I am sure that some of these young women will wonder one day what possessed them to spend so much money -- the same goes for smoking -- on these unsightly scribbles. After searching the internet for a tattoo image to include in this
post, I found many disturbing ones and purposely selected a moderate one.
My initial question, however, comes down to the issue of "discrimination." Discrimination suggests making a judgment -- in my case, finding something repellent. What I am really saying, however, is that tattoos are not simply ugly but also a sign of downward social mobility. I am making a moral judgment -- and it is bad these days to make such judgments. Thus, in a public place like the gym, no one says out loud anything about the ugliness of tattoos. Like a lot of contemporary tendencies, the tattoo regime is ignored. It's as if people don't see it.
This issue of seeing is important. If we did not see, we would not be able to discriminate. Discrimination is regarded as bad, as in sexual or racial discrimination that considers certain humans as less than human. But the women in my gym with tattoos are not less than human; they are fully human. But IMHO they have made bad decisions. And what people don't want to admit publicly today is that some people have made bad decisions. Again, I have made bad decisions in my life, so one must resist thinking that others are "bad" people for doing what I might have done in the same circumstances.
The ability to discriminate, however, is at the core of aesthetic judgments and of judgments of taste, both of which concerned 18th-century philosophers, including Hume and Kant. We make distinctions between the works of Leonardo and Jeff Koons. It strikes me that the contemporary aversion to making judgments has affected our sense of beauty, to the detriment of our public spaces. Something like that must has been at the core of the objections several decades ago to the unsightly (to my eyes) structure of Richard Serra in downtown Manhattan. Most of the time we are forced to turn our eyes away from what we find repellent, to keep our judgments to ourselves, but there comes a time, as with Serra's "work," when something is so repellent that the objections overcome the argument that ugliness is something we must put up with.
My initial question, however, comes down to the issue of "discrimination." Discrimination suggests making a judgment -- in my case, finding something repellent. What I am really saying, however, is that tattoos are not simply ugly but also a sign of downward social mobility. I am making a moral judgment -- and it is bad these days to make such judgments. Thus, in a public place like the gym, no one says out loud anything about the ugliness of tattoos. Like a lot of contemporary tendencies, the tattoo regime is ignored. It's as if people don't see it.
This issue of seeing is important. If we did not see, we would not be able to discriminate. Discrimination is regarded as bad, as in sexual or racial discrimination that considers certain humans as less than human. But the women in my gym with tattoos are not less than human; they are fully human. But IMHO they have made bad decisions. And what people don't want to admit publicly today is that some people have made bad decisions. Again, I have made bad decisions in my life, so one must resist thinking that others are "bad" people for doing what I might have done in the same circumstances.
The ability to discriminate, however, is at the core of aesthetic judgments and of judgments of taste, both of which concerned 18th-century philosophers, including Hume and Kant. We make distinctions between the works of Leonardo and Jeff Koons. It strikes me that the contemporary aversion to making judgments has affected our sense of beauty, to the detriment of our public spaces. Something like that must has been at the core of the objections several decades ago to the unsightly (to my eyes) structure of Richard Serra in downtown Manhattan. Most of the time we are forced to turn our eyes away from what we find repellent, to keep our judgments to ourselves, but there comes a time, as with Serra's "work," when something is so repellent that the objections overcome the argument that ugliness is something we must put up with.
Monday, August 19, 2019
Why the Jews didn't resist
The opening pages of a short story by the writer Edgardo Cozarinsky has caused me to think about a question people occasionally ask: Why were the Jews so passive? Why did they not rise up and defend themselves against the Nazis, especially in the camps where they outnumbered their guards? This question overlooks the fact that the majority of Jews in Germany were ordinary people, ordinary Germans.
The story, "Emigré Hotel," opens with the departure of a Greek-registered steamship from Lisbon for New York in October 1940. Among the passengers, feeling "a sense of loss and foreboding," were Alfred Döblin, Heinrich Mann, and Hertha Pauli. Others who had already left from the port of Lisbon were Franz Werfel, Leon Feuchtwanger, Alfred Polgar (according to Wikipedia: "one of the most renowned intellectuals of the Vienna coffeehouses"), Heinrich and Golo Mann, and Friderike Zweig (first wife of Stefan). On the ship, according to Cozarinksy, they lived in forced seclusion because of their status -- they had "sufficient funds to pay the extravagant price of a berth on this modest vessel" -- and played "the role of the last scions, emissaries, or survivors of European culture."
Instead of asking why the Jews were passive, I wonder why no one has ever asked this question: why did all the prominent people, whose opposition might have been crucial in combating the Nazis, turn tail and run? Why didn't they stay and resist? If they had, the Jews, too, would certainly have joined them. It was the intellectuals and artists and important people who were passive.
Since I wasn't alive in those terrible days and can't say that I would have behaved any better, I probably should not be criticizing those who went into exile. But the absence in Germany of intellectual opposition to the Nazis must have had an effect on the demoralization of the population, Jewish and otherwise.
Picture credit: The Paris Review
The story, "Emigré Hotel," opens with the departure of a Greek-registered steamship from Lisbon for New York in October 1940. Among the passengers, feeling "a sense of loss and foreboding," were Alfred Döblin, Heinrich Mann, and Hertha Pauli. Others who had already left from the port of Lisbon were Franz Werfel, Leon Feuchtwanger, Alfred Polgar (according to Wikipedia: "one of the most renowned intellectuals of the Vienna coffeehouses"), Heinrich and Golo Mann, and Friderike Zweig (first wife of Stefan). On the ship, according to Cozarinksy, they lived in forced seclusion because of their status -- they had "sufficient funds to pay the extravagant price of a berth on this modest vessel" -- and played "the role of the last scions, emissaries, or survivors of European culture."
Instead of asking why the Jews were passive, I wonder why no one has ever asked this question: why did all the prominent people, whose opposition might have been crucial in combating the Nazis, turn tail and run? Why didn't they stay and resist? If they had, the Jews, too, would certainly have joined them. It was the intellectuals and artists and important people who were passive.
Since I wasn't alive in those terrible days and can't say that I would have behaved any better, I probably should not be criticizing those who went into exile. But the absence in Germany of intellectual opposition to the Nazis must have had an effect on the demoralization of the population, Jewish and otherwise.
Picture credit: The Paris Review
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